Macbeth (Applause Shakespeare Library: The Folio Texts)

However, the play is clearly far more than a piece of royal entertainment. It is also a fast-moving and dramatically satisfying piece of theatre. Macbeth's existential struggle between loyalty to his King and his "Vaulting ambition" is fascinating to watch, as his is struggle with Lady Macbeth, and her own terrifying refusal of her maternal role. The play shows an intensification of Shakespeare's interest in mothers and their effect upon ruling masculinity, and also contains some of the most memorable speeches in the entire canon, including Macbeth's reflections that ultimately life "is a tale / Told by an idiot, full of sound and fury, / Signifying nothing". --Jerry Brotton

Reader Reviews:

The greatest Lady Macbeth since Judi Dench (1/1 people found this helpful)

OK: so it's a bit odd to review a performance of "Macbeth" and single out Lady Macbeth. Just as it is to compare an audio performance to a live one - they are, of course, massively different.
That said, Fiona Shaw's performance as Lady Macbeth is astoundingly good and real. Every word feels thought and every phrase feels new. It really is a remarkable piece of characterisation and performance. Stephen Dillane, though not Shaw's match, is a thoughtful and aware Macbeth.
It's a must own, for Shaw alone, but there are many pleasures to this great rendition of a great play.

Lay on, Macduff! (8/13 people found this helpful)

While I was basically familiar with Shakespeare's Tragedy of Macbeth, I have only recently actually read the bard's brilliant play. The drama is quite dark and moody, but this atmosphere serves Shakespeare's purposes well. In Macbeth, we delve deeply into the heart of a true fiend, a man who would betray the king, who showers honors upon him, in a vainglorious snatch at power. Yet Macbeth is not 100% evil, nor is he a truly brave soul. He waxes and wanes over the execution of his nefarious plans, and he thereafter finds himself haunted by the blood on his own hands and by the ethereal spirits of the innocent men he has had murdered. On his own, Macbeth is much too cowardly to act so traitorously to his kind and his country. The source of true evil in these pages is the cold and calculating Lady Macbeth; it is she who plots the ultimate betrayal, forcefully pushes her husband to perform the dreadful acts, and cleans up after him when he loses his nerve. This extraordinary woman is the lynchpin of man's eternal fascination with this drama. I find her behavior a little hard to account for in the closing act, but she looms over every single male character we meet here, be he king, loyalist, nobleman, courtier, or soldier. Lady Macbeth is one of the most complicated, fascinating, unforgettable female characters in all of literature.

The plot does not seem to move along as well as Shakespeare's other most popular dramas, but I believe this is a result of the writer's intense focus on the human heart rather than the secondary activity that surrounds the related royal events. It is fascinating if sometimes rather disjointed reading. One problem I had with this play in particular was one of keeping up with each of the many characters that appear in the tale; the English of Shakespeare's time makes it difficult for me to form lasting impressions of the secondary characters, of whom there are many. Overall, though, Macbeth has just about everything a great drama needs: evil deeds, betrayal, murder, fighting, ghosts, omens, cowardice, heroism, love, and, as a delightful bonus, mysterious witches. Very many of Shakespeare's more famous quotes are also to be found in these pages, making it an important cultural resource for literary types. The play doesn't grab your attention and absorb you into its world the way Hamlet or Romeo and Juliet does, but this voyage deep into the heart of evil, jealousy, selfishness, and pride forces you to consider the state of your own deep-seated wishes and dreams, and for that reason there are as many interpretations of the essence of the tragedy as there are readers of this Shakespearean masterpiece. No man's fall can rival that of Macbeth's, and there is a great object lesson to be found in this drama. You cannot analyze Macbeth without analyzing yourself to some degree, and that goes a long way toward accounting for the Tragedy of Macbeth's literary importance and longevity.

Not dark enough (11/14 people found this helpful)

I was disappointed by this CD, particularly as the Naxos recording of King Lear with Schofield is so fine and the Richard III with Branagh a worthy production. Dillane, rated as a fine actor, fails badly to convey the steel and darkness of Macbeth for the early part of this play. Famous soliloquies,'Is this a dagger' fall flat. Later, he improves but fails yet to hit the heights. Finoa Shaw as Lady Macbeth, however, is magnificent. The CD also has some annoying quirks of recording, one scene sounding as if it has been recorded in a shower room

Cleverly crafted and tragicaly true (1/3 people found this helpful)

Shakespeare's cleverness shows through in Macbeth, in my mind one of his greatest plays. By appealing to ALL components of his audience, from James I (via Banquo's royal progeny) to the uneducated and superstitious groundlings (via witches and ghosts), Shakespeare created a timeless classic. Macbeth's tragic flaw, "vaulting ambition," ultimately causes his downfall; this downfall serves as an ultimate, meaningful, and universal warning: while ambition may cause a person to rise in status and prestige, too much ambition may cause a person to both lose touch with reality and improve his/her status by any means possible (including murder). Suspense and mystery, combined with mystical superstition, believable characters, eerily vivid descriptions, and universal themes, make Macbeth a wonderful play to read, to interpret, and to analyze.

Interesting, but ultimately flawed (1/19 people found this helpful)

Having researched great authors as part my PhD at Princeton, it is surprising how poorly Shakespeare has written this particular book. The plot is weak and lacks imagination, the character development is all over the shop and writing style is quite muddled in places. Interesting read though!

Macbeth (Applause Shakespeare Library: The Folio Texts)

William Shakespeare

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