Rembrandt's Eyes (Allen Lane History)

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Simon Schama

Used from £45.99

Pages: 768 (Hardcover)

ISBN: 0713993847

Pub: Allen Lane

Pub date: 1999-10-25

Amazon.co.uk Sales Rank: 265241

Editorial Review:

The great 17th-century Dutch artist Rembrandt van Rijn left us so many arresting self-portraits, painted at every stage in his eventful life, that his distinctive face and bearing are a familiar part of the 20th-century cultural landscape, a recognisable presence in galleries across Europe and North America. Nonetheless, the artist himself remains tantalisingly an enigma. A notoriously difficult man and an inveterate risk-taker in life and art, Rembrandt's aspirations to a grandiose Amsterdam lifestyle in the heyday of his popularity as a painter of portraits and large-scale historical works bankrupted him and he died in relative poverty. His personal effects and his treasured collection of paintings and natural rarities were sold off and dispersed, leaving the historian with a tantalisingly scant body of fragmentary records around which to build a convincing biography.
In Rembrandt's Eyes Simon Schama--the leading historical craftsman of our era, with a career-long commitment to Dutch history--succeeds with consummate skill in bringing the heroic painter of such masterpieces as The Night Watch and Portrait of Jan Six vividly to life again. Returning to the bustling Dutch world with which he first made his reputation in his bestselling The Embarrassment of Riches (1987), Schama recreates Rembrandt's life and times with all the verve and panache of a historical novelist, whilst never for an instant losing his scrupulous grip on recorded fact and detail. The telling surviving fragments of archival information about Rembrandt's personal and professional history are embedded skilfully in a richer and denser tapestry of the commercial whirl and political hurly-burly of the 17th-century Low Countries--a divided territory, split between the Catholic and Protestant faiths and the contested powers of the Spanish Habsburgs and the Dutch Republic--with the tentacles of the tale reaching into the most unexpected shadowy corners of European love and war, aspiration and intrigue.
Rembrandt's Eyes is, in fact, two biographies for the price of one. From the outset Schama contrasts the life of Rembrandt with that of his older, equally artistically talented, countryman Peter Paul Rubens, whose meteoric rise and sustained success as a society painter forms a revealing contrast with Rembrandt's unhappier relationship with fame and fortune. The comparison is a telling one. Where Rubens furnishes the wealthy and powerful with glorious reflections of and visual foils for their social and political aspirations and glory, Rembrandt can never resist testing the envelope of taste and stylistic acceptability. His challenge to his clients to rise to embrace the shock of his painterly experiments with technique, texture and composition, ultimately produced his downfall. The Amsterdam Town Council took down his The Oath-swearing of Claudius Civilis, rolled it up and returned his masterpiece to him, to be cut-down in an attempt to sell it to a suitable buyer.

This is a gorgeous book to own, too. Rembrandt's Eyes is printed on heavy, high-gloss paper, lavishly illustrated throughout in full colour, with double-page colour spreads of the most memorable of Rembrandt's works, which take one's breath away as one turns the page. But above all, this is narrative history at its very best, a page-turner and an adventure story, which will make the reader laugh and cry by turns, in the time-honoured tradition of masterly writing. --Lisa Jardine

Reader Reviews:

Rembrandt's humanity (3/3 people found this helpful)

I loved this book and couldn’t put it down. Don’t be put off by its physical weight! It’s actually the intertwined stories of two great painters – Rembrandt and Rubens. The idea that Rembrandt was motivated by envy of Rubens is an interesting one. Rubens lived in a palazzo in Antwerp with handsome sculptures and an elegant garden. Rembrandt lived in a more modest home with his interesting collection of artifacts including a stuffed armadillo. They are so different from each other and you love them both by the end of the book.

As you’d expect from an art historian, there is vast insight into each painting (accompanied by excellent reproductions). If you then travel to see these paintings in the flesh (as you must!), his words come back to you and add immeasurably to your appreciation of the breathtaking and arresting portraits. Now you know why you love these paintings so much. But you get so much more than art criticism – you get to live and smell Amsterdam as Rembrandt would have done. One chapter recreates Amsterdam through the senses – sight, sound, touch etc – a work of pure imagination and one that could only have come from a writer for whom Amsterdam in the seventeenth century is a real as New York in 2003. But best of all is the humanity which pervades the book – Schama’s, Rembrandt’s and Rubens’s. Rare men all.

A brilliant biography and introduction to Rembrandt's art (2/2 people found this helpful)

This is one of the most interesting and well written biographies that I have ever read. The author actually covers two biographies running side by side, that of Rembrandt and that of Rubens. This give the book that little bit extra by keeping the reader interested as the plot changes from one to the other.

However the book also discusses the art of these two great artists in detail and in that respect it is more than just a biography.

The standard of illustration is good with plenty of good quality colour prints. Many of them are full page size.