Shakespeare: The World as a Stage (Eminent Lives)

Although his name is oft bandied about as a must read this is the first time I've ever had the chance. Bryson that is not Shakespeare! This serves as a nice intro to Shakespeare the man with a "just the facts ma'am" approach. And as he admits, this slim volume is a testament to the fact that what we can take as absolute fact about Shakespeare is very little at all.

For a giant in literary terms Shakespeare has left very few footprints. However as Bryson points out this isn't as odd as it might sound, one can't reasonably expect records dating 400 years ago to either be in a sturdy condition or to be legible or even to have survived numerous calamities over the years from natural fires to German bombing campaigns. The fact that the actual early copies of manuscripts of Shakespeare's plays account for about 15 % of all surviving plays from the late Elizabethan / early Jacobean period is pretty remarkable in and of itself.

The author obviously allows room to discuss the speculation of other scholars or this would be a very very slim volume indeed, but he clearly demarcates between what is established fact and what is theory. From his early years we get the speculation of his education and whether he was a secret Catholic, to the sparse years in London before becoming an established writer taking in such romantic fancies that he sailed with Drake.

The one thing Bryson holds no stock in at all is the theory that Shakespeare is not the author of the plays and though he dutifully covers all the potential others he is quite clear on the lack of any tangible evidence that anyone other than William of Stratford wrote the plays

The Perfect Layman's Biography of Shakespeare (1/1 people found this helpful)

Well, I suppose the big beardy Anglophile yank had to do it sooner or later.

As Bryson himself says in his introduction, the world doesn't really need another book on Shakespeare. From the incredibly specific and obscure to the uselessly vague and general, from the trivially lightweight to the inaccessibly somber, the Bard of Stratford is the subject of literally dozens of new books of facts, biography, analysis, opinion, theory and conjecture, every damn year.

For all that, this was a worthwhile book to have written, which is more or less all we'd expect of Bryson, who is a clear, clever and witty writer who rarely fails to please.

Bryson has chosen biography as his goal. The book is written in more or less chronological order, with chapters covering distinct periods in Will's life. Bryson starts by characterising the period, analysing the (usually scant) evidence available, then raising and scrutinising the various popular interpretations about what is known. He detours occasionally into anecdotal discussion about his researches or funny or impressive stories about other people's attempts at research, which all over helps it from getting too dry and to remain a very Bryson book.

Throughout he's diligent about the distinction between evidence and interpretation. The problem is, we actually have pretty slender information about Shakespeare's life: a veritable wealth of data by the standards of Elizabethans in general, but still very little from which to derive any reliable idea of the facts of his life. Inevitably, this means foraying into conjecture from time to time; a practice at which Shakespearean academe excels, but a dangerous one. Bryson gives an example of the famous deer-poaching incident, a romantic guess made in the eighteenth century that was repeated as solid fact in Shakespeare scholarship for more than a hundred years after. Bryson, by contrast, while happy to include reasonable and useful guesses as to how to interpret what is known, is very careful to let you know what's fact - and where it's from - and what's conjecture and how it was arrived at.

If you're seriously into your Shakespeare scholarship, this book probably doesn't have anything new to tell you (although Bryson's research is up to date, and he has access to facts I didn't have at Uni), but if you're only likely to buy one Shakespeare biography in your life, this isn't a bad one to choose.

A good introduction to the Bard! (1/1 people found this helpful)

As someone who has only `discovered' Shakespeare in her 40s, I think this book is the perfect introduction to him and his life.

I didn't really know an awful lot about Shakespeare apart from the fact that he died on St George's day, and that this date is popularly given as his birth date too. This is taken from the Christening records which show he was baptised on 26th April. It was usual for babies to be baptised within a few days of birth due to high infant mortality rates. Oh, and obviously I knew he was the Bard from Stratford-upon-Avon, but there my knowledge ended!

This book also contains interesting facts about the Elizabethan and Jacobean periods of history, all told with Bryson's trademark wry humour, albeit that it's not as funny as some of his other offerings. I certainly wouldn't recommend it to anyone know knows Shakespeare's life well, but to a novice, it's definitely a great place to start.

There's small choice in rotten apples (0/1 people found this helpful)

Bill Bryson is more or less superman in today's literary world. He transcends subjects in a single bound and the globe in another. He's a talented critic, writer and humourist. It's a good job, to use modern vernacular, that he's the daddy because, with this one, he's taken on the mother of all literary subjects.

He's done so wisely. He's not attempted to become an original researcher and posit new theories about the man's identity or his plays and other works. He has essentially evaluated and sumamrised the existing state of Shakepearian debate and study, providing his own critique of what is compelling and credible. Thankfully, Bryson was born without a 'boredom gene' and the book reaches any audience, reading so easily. The man does not do dull.

Typically, Bryson's prose is litered with diverting and revealing anecdoes, we get a potted physical history of the theatre alongside the exposition of the central figure. Bryson is expert at demonstrating the lack of hard information about Shakespeaare (I spelled that incorrectly, but then, so did the Bard...) and the vulnerability about the claims and surmises made about his life and character. That will no doubt ruffle feathers. I found it interesting to learn that Shakespeare had thieved so many of his stories from others. As also did I find the battle for written English over Latin. The fact there were lost plays is new to me too. So to non-Shakespeare scholars this offers a lot.

To those who are scholars I am not sure it will be depthy enough to satisfy but they are not the prime audience I'd suppose. Bryson's great economy of expression, wit and clarity mean he is less self-indulgent in this book than perhaps any other of his that I have read (which is all but one, that being the African diaries). Although always near the surface, his trademark wit is less in evidence, reserved for a full scale assault on those who feel Shakespeare was somebody else. That business is clearly a cottage industry and I know Bryson has trodden on somebody else's cucumbers here by reason of the ridicule he heaps on the alternate theories.

It is a short book. There could have been more. But how much more was truly needed? And at whatever point should he have stopped on an almost inexhaustible subject populated by many including purists and pedants? Nevertheless one gets the impression he made a judgement about the length that possibly excluded a little more hard work examining various omissions from the life of the Bard and those who knew or worked with him.

Bryson's book has one central curiosity. It is really the oppositite of a biography - more a book about what we don't know than what we do - and that is refreshing in itself. I think he's done a first rate job here given how well aired the subject is.

And for his next trick...?

Incidentally, the title I gave to this is a quote from one of the Bard's plays and seems to convey Bryson's attitude to much of the literature he discovered!

Informative, entertaining and readable (0/0 people found this helpful)

Any biographer of Shakespeare is faced with a problem: the known facts about Shakespeare's life would only fill one rather short chapter. Some biographers discuss at length various speculations about possible events in his life, but Bill Bryson wisely avoids most of this, briefly dismissing, for example, the story that he was caught poaching.

Instead, Bryson fills the book with a colourful depiction of life in Elizabethan England, describing for example food and drink, religion, the theatre, and the city of London. My only criticism of the book is that some of the historical stories, such as the Spanish Armada, the Essex rebellion and the gunpowder plot, will already be known to many readers.

Bryson has clearly taken his research seriously, and interviewed leading Shakespeare scholars as well as visiting the Folger library where many of the First Folios are kept.

Particularly entertaining is the final chapter where Bryson debunks the various theories (one of them proposed by a Thomas Looney) that the plays were written by someone else.

This is an informative and enjoyable book, and much easier to read than the more substantial Shakespeare biographies.

Shakespeare: The World as a Stage (Eminent Lives)

Bill Bryson

Reader Reviews:

Much Ado About Nothing (0/0 people found this helpful)

The Perfect Layman's Biography of Shakespeare (1/1 people found this helpful)

A good introduction to the Bard! (1/1 people found this helpful)

There's small choice in rotten apples (0/1 people found this helpful)

Informative, entertaining and readable (0/0 people found this helpful)

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