Editorial Review:Alan Bennett's award-winning series of six television monologues, Talking Heads, may have been first aired in 1988, but over a decade later it is still impossible to read these deeply moving and affectionate scripts without hearing the voices of the actors who played them. Maggie Smith as the alcoholic vicar's wife finding a semblance of happiness in an affair with an Indian shop owner, Patricia Routledge as the poisonous neighbour, Julie Walters as the over-the-hill dolly bird auditioning for a porn film and of course Thora Hird as Doris, the old lady alone in her home having fallen and broken her hip. All great performances and all made possible by Bennett's wonderfully observant and poignant scripts. Bennett rightly notes in his introduction to the pieces that, maybe apart from Doris, his narrators are artless in that they "don't quite know what they are saying and are telling a story to the meaning of which they are not entirely privy". But through their artlessnes they reveal more about Britain today and the stresses and strains placed upon ordinary people, than any number of docu-soaps that now claim to show us real life. --Nick Wroe Reader Reviews:Genius (1/1 people found this helpful)I am a fan of talking books, and I would describe many of the ones that I have heard as good, entertaining, thought provoking even. But this collection of stories stands so far above everything else that I have listened to that I can't see them ever being eclipsed. They are that very rare thing in literature - something that is brilliant, complex, moving - but absolutely not worthy, or 'difficult'. How many of us have struggled through a Booker prize winner because we 'ought to', when really it was too much like hard work? These stories are just so entertaining. You very quickly forget that they are monologues because the scenes and other characters are so real that you can see and hear them as if you were watching a full-cast production. You will be able to come back to them again and again because they are so rich with detail, and so beautifully written, and spoken, that they will always be fresh. If you are considering whether or not to buy these, then consider no longer. This is a cast iron guaruntee that tou will love them - and I don't say that very often, if at all. Try this, and be surprised (11/11 people found this helpful)Some twenty years ago, mr. van Broekhoven, who taught us english, told us one day to be sure and watch a television programme called "Talking Heads" which would be shown on the BBC that same evening.
Second chances are a good thing... (4/5 people found this helpful)I too had to study the Bennett monologues at `A' level, and found it hard work - in fact, I came out of the whole ordeal with a great disliking for Bennetts work. However, I recently found myself with some time to spare and so I decided I'd perhaps give the monologues a second chance. I'm glad I did. Second time around I found the tales of each of the characters to be highly enjoyable. The characters were extremely well drawn and likable - be it the naive actress Lesley in `Her Big Chance' comparing the differences of a German director of an adult film to Polanski, or the rather sad character of Graham, dependent on his mother and horrified when she starts to have a life without him. Personally, I liked the story told by Miss Ruddock, that of someone obviously in need of attention and trying so hard to get it.
review of talking heads (4/83 people found this helpful)Having to study Alan Bennet's talking heads for A-level, I can honestly say that it was an arduous task. It was near on impossible to write one thousand words on this travesty, as there is just no substance to his work. Bennet presents us with six characters. The format is the same with each, (except possibly Celia and Violet), there's some bizzare macabre secret that comes to be revealed, Wilfred is a peadophile, Marjory's Husband is a murderer etc. Wow, big deal. Bennet plays with appearance and deception. *STOP THE PRESSES!* I have grown up exposed to ardent praise of Bennet from my parents, who were born some time after the war. When I lived at home, Bennet truly was a sanctimonious icon of british drama, and regarded as a genius of his day. Maybe I'm young and just 'unaware', but I really can't see what all the fuss is about, and I really can't see Bennet's 'genius'. He achieves nothing new here, and Im just glad my A-levels are over. Avoid this at all costs. Observational Genius! (18/19 people found this helpful)Breathtaking is a word so often used to describe an offering from any artist, but this truly is. From simply observing the different and sometimes darkest side of human nature you find yourself completely engrosed and almost personally attatched to each charachter. His ability to exploit humor, and then drift into sadness and frustration without even seeming to step aside is superb. Within afew lines, even as early as the preliminary "setting", the personal effect his writing has takes you instantly into the situation and leaves you unable to exit until the sometimes bitter,sometimes hilarous, but always intriguing end. Each charachter seems genuinely real, the ordinary lives turning out as anything but. Of all this writers brilliant work this is unboubtedly the best (although "The Lady In The Van" is also worth a look, as is "Telling tales"...)to name but afew. Similar ProductsTelling Tales (Radio Collection) York Notes on Alan Bennett's "Talking Heads" (York Notes Advanced) Talking Heads - The Complete Talking Heads CategoriesAmazon.co.uk places this book into the following categories:
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