The Helmet of Horror: The Myth of Theseus and the Minotaur (Myths)

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Victor Pelevin

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Pages: 288 (Paperback)

ISBN: 184195912X

Pub: Canongate U.S.

Pub date: 2007-04-10

Amazon.co.uk Sales Rank: 219225

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Reader Reviews:


2/5 stars

Lost in cyberspace (2/2 people found this helpful)

A clever enough book, perhaps a little to clever for it's own good. It recreates the challenge of the labyrinth in cyberspace, but unfortunately the sense of danger or ultimate goal lacks. It needed the identifiable hero and goal to be identified at the outset to work as myth, but we are never sure of who is who or what the goal is.

4/5 stars

Compelling but confusing (1/1 people found this helpful)

Don't expect to understand this book on the first or even the second reading. It twists and turns and you can never completely see what's going on, much like the many labyrinths within its pages. It's post-modern in the best sense of the word, taking the idea of the Minotaur as guardian of the labyrinth and basically running with it. Pelevin has a lot of fun playing with language and perception, although these aren't the only issues discussed within the book.

Buy this if you're a fan of intelligent and offbeat writing.

4/5 stars

Twisting and turning - an intriguing, complex tale (0/0 people found this helpful)

The Canongate Myth series continues with a retelling of the story of Theseus, the Minotaur and the labyrinth. So far this series has seen authors drawing upon the original source of the legend, and weaving their own narrative threads. The Odyssey was retold from Penelope's point of view, whilst the story of Samson focused on a shorter slice of the overall myth. Victor Pelevin took the challenge of the Cretian horror of the half man, half bull Minotaur, and rather than retelling completely reinvents the story.

There are certain continuities. Theseus, the Minotaur and Ariadne are named characters, albeit only the latter enjoying anything like a major piece of the action. Living up to her mythical namesake she spins the thread of the narrative, guiding us around Pelevin's post-modern take on the labyrinth. The major continuity is the concept of the labyrinth, a trapping, twisting, contained environment. This twenty-first century retelling sees the reader take the role of a passive observer to a chat room conversation.

The initial bursts of conversation between the trapped residents of the labyrinth are confused, but gradually a fuller picture of the reality of their imprisonment emerges. Each resident is lodged in a nearly-identical cell, with their own personal labyrinth located beyond the door to their cell. The identity of those responsible for this confinement is not revealed, and the novel instead deviates into an explanation of the nature of the world they now inhabit.

The chat-room format lends an urgency and pace to the novel, which means it can be devoured. It may need re-reading, as you find yourself skipping some of the lengthier, but vital, `posts' that build up the crucial metaphysical and philosophical messages. At times it is unclear to the point of being unintelligible, but the fast nature of the prose ensures that this confusion doesn't lead to a frustration with the novel.

Don't expect a classic rendering of the original tale. There is no tearful departure from Greece, no heroic slaying of the beast. Instead Pelevin has taken the baser, more fundamental concepts of the myth and woven a new tale that delivers a profound philosophical tract along with a fascinating read.

5/5 stars

Original (1/1 people found this helpful)

Victor Pelevin once again questions existence in this original twist of the minotaur myth. Written as a conversation in a chat room Pelevin manages to mix modern day youth culture with an age old myth. Both surprisingly easy to read yet full of depth, meaning and ambiguity. Knowledge of, or specific interest in Theseus and the Minotaur is not a pre-requisite for enjoying this novel.

5/5 stars

Intriguing (5/5 people found this helpful)

Pelevin weaves a fascinating tale, built on the myth of Theseus, the Minotaur and the labyrinth. He places a number of people in identical cells, each with their very own especially designed labyrinth outside. The story plays out before our eyes, in the form of a chat room conversation. You as a reader are a lurcher, reading the conversations of others, only atching and waiting. They, on the other hand, are active (more or less), working on finding out what their situation is, how to get out of their labyrinth and who their captor is. They are continuously being fed information, but cannot be sure what to trust...

Pelevin plays with language and form and manages to give each character its unique voice, while at the same time asking the Big Questions about our existence and the essence of Being and Truth.

So far the most original and interesting of the myth series books.

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Categories

Amazon.co.uk places this book into the following categories:

Books -> Subjects -> Fiction -> Genre -> Myths & Fairy Tales -> Fairy Tales
Books -> Subjects -> Fiction -> World -> Russian
Books -> Subjects -> Fiction -> Authors, A-Z -> P -> Pelevin, Victor
Books -> Subjects -> Fiction -> Short Stories -> Myths & Fairy Tales
Books -> Subjects -> Fiction -> Short Stories -> World -> Russian
Books -> Subjects -> Fiction -> Contemporary Fiction: 1970 Onwards -> Literary Fiction
Books -> Refinements -> Language (feature_browse-bin) -> English

 

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